Drying oils control color, prevent over-thinning when mixed with solvents, and help maintian flexibility of the paint film.

• Bleached Linseed Oil - Improves the flow of oil colors. Use with pale colors and white. Totally reliable, non-yellowing.
• Cold Pressed Linseed Oil - Reduces consistency and brush marks. Increases gloss, slows drying rates, increases transparency.
• Drying Poppy Oil - A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colors. Reduces consistency, increases gloss and transparency, resists yellowing.
• Linseed Oil - Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. Improves flow. Increases gloss & transparency. Add to other oils to speed drying.
• Refined Linseed Oil - Increases flow, transparency and gloss. Slows drying.
• Thickened Linseed Oil - A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow & gloss. Increases the durability of paint film. Reduces brushstroke retention
• Safflower Oil - A slow-drying oil which improves the flow and is well suited for pale colors. Increases gloss and transparency, resists yellowing.
• Linseed Stand Oil - Pale thick oil. Mix with turpentine or mineral spirits to improve flow of oils. Flexible finish.
• Artist Painting Medium - A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency & improves flow. Suitable for oiling out & enriching dull patches.Resistant to yellowing.
• Japan Gold Size - A dark, thin liquid, which acts as a quick drying adhesive for gilding. Can also be used for exterior varnishing. Non removable. Not suitable as a picture varnish.
• White Spirit - A volatile, flammable diluent suitable for thinning oil colours and cleaning brushes. Suitable for oil & alkyd colour. Slightly slower drying than turpentine. Does not deteriorate on storage.
• Liquin Original - This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat.
• Liquin Fine Detail - The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing & blending or to produce a smooth surface picture.Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat.
• Liquin Light Gel - This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat.
• Liquin Oleopasto - A semi matt, quick drying, non-yellowing impasto medium which adds body and levels slightly. Thickens rapidly and extends tube colour. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat.
• Liquin Impasto - A quick drying, semi-gloss medium which thickens slowly & extends tube colour retaining crisp textures & brush marks without any visible leveling. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat.
• Sansodor Solvent - A low odour solvent which evaporates slowly, increases blending time and is suitable for thinning oil colours and cleaning brushes. Suitable for oil & alkyd colour. Well suited to artists who prefer to avoid exposure to turpentine.
• English Distilled Turpentine - Highly refined for artist use. Thins linseed oil and varnishes and cleans artists brushes.
• Blending & Glazing Medium - This new medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining. Improves transparency and depth. Dries to a durable gloss finish.